Fireflies and cotton candy

By Neslihan

Do you remember those sceptical souls during Simon's first Dior show? It was too minimalistic, too repetitive, too boring... (read here) It's like Raf Simons listened to the slightly negative comments and delivered this poppy spring/summer collection as a reaction to that negativism. He worked with colourful beads, fabrics, shiny effects and enormous prints to prove his audience that he's more than straight and structural lines. He's more than simplistic Raf. He doesn't compromise though, he simply tries to find a way to combine his trademark with Dior's tradition and the new direction the couture house is taking. He matches classy with playful and romantic with -don't shoot me- simplistic as he integrates a couple of black pantsuits with floral beads. But it's always elegant and feminine.
The show consists out of two main parts. The first part is all about Dior basics: little black dresses, black and grey pantsuits, black coats... It was all beautifully tailored, you've got to give him that but I thought it was rather predictable. It's so hard to be inventive or fresh with a little black dress. I think he kind of felt obliged to honor Christian Dior's ideology, which is totally understandable but my heart started beating faster when we reached the second part of the collection: colours, prints, beads, shiny see-through fabrics that reminded me of cotton candy. The whole thing was just divine. At some point you had those amazing floral ball gowns (look five). It was as if they were all on fire. I'm in awe really, because this collection is the embodiment of one of my dearest fashion mottos: crazy, childish heartbreak hotel but the more mature version and I think that's what Raf's trying. He tries to make Dior more youthful but you've got to know that aging is easier than getting your youth back. This collection was a brave atempt in giving Dior's youth back. For sure.

Click here for the whole collection.