C'est pas trop?

By Neslihan

I like how Scandinavian minimalism in fashion is always represented by sharp lines and plain fabrics. As if you can't be as tight in a floral or cubistic print. I get it, the look screams 'no nonsense' and a sort of Parisian 'je m'en fou'. It was never about ruffles, frills or femininity anyway. It's about clean lines, sleek cuts, perfect finish and modest fabrics. That truly is 'minimalism' summed up in a couple words. But we need optimism and bright colours. Let's bring in the chaos in our outfits and let us not fear dazzling prints. Let's embrace complexity and vertical lines. Don't be afraid to sport wavy cuts and push minimalism in totally different direction this season.


SIMPLICITY AT ITS FINEST:

Left: Osman Resort 2015

      Right: Chalayan Resort 2015

I feel like during summer it's way too hawt to accessorize. I sweat buckets so I can't deal with big ass chains, life size earrings and/or arm candy. I like it when my clothing speaks for itself. When you're all about simplicity and dressing down, you have to keep a number of things in mind. First is the quality of your clothes. Since you're not investing in jewelery, you might aswell pay a little more for your basics because we're talking about daily wear, so it's really important that the garment keeps its colour and shape after like you've worn it for a dozen of times. The second most important thing is subtlety. I know it's really hard not to be 'm'as tu vu' when you're about to mix your brightest shoes with your hot pink skirt but suck it in, will ya. You don't want #triedtoohard next to your instagram OOTD picture. You have to look like you haven't given two shits that day. So it's really important to keep the prints, colours and even shoes (we're talking icy metalics) down with this simple look. 

DRESSING DOWN WITH PRINTS:

Left: Stella McCartney Resort 2015

Right: 3.1 Phillip Lim Resort 2015

I know it's really hard to find simple prints for daily wear. prints are all about daring to be insanely out of your mind. When it comes to prints you shouldn't feel limited, you should feel as though polkadots and stripes do mix well together if you stay in the same colour palette. You should feel as though vertically striped clown pants really can be the chiquest thing ever if you take it down a notch and combine them with quirky shoes. While you're actually leveling down it is crucial that you do this with simple cuts, pure uni colour garments and this one's really important: NO ACCESSORIES. The only things that are allowed are a nice pair of shoes and a great minimalistic bag. No stitches, no visible pockets and no joyful details. Sacrifice your carnivalesque soul in order to become the sleek, icy queen you've always wanted to be.

HOW THINGS ESCALATE:

Left: Erdem Resort 2015

                  Right: Mary Katrantzou Resort 2015

You can tell this style report on minimalism is going the wrong way once florals pop in. The thing with florals is that it reminds be of this pure childish naïvité and it's time to get rid of that vibe. I'm not talking about wavy flower power and daisies in your hair. I'm talking business, sharp lines, clean cuts and stiff fabrics. I don't want the garment to be draped on my body, I want the garment to give me a different shape. I want the clothes to define my posture, movement and body language. I want to follow the direction it chooses for me, a kind of mechanic way of moving. I don't want to tuck in or accentuate my waist. I wanna be me without feeling like I have to be elegant and feminine. I want to wear florals and feel like a million bucks. That's why I'd totally get rid of that belt on the left picture because this look is all about a never ending couple of lines flowing into each other without breaking them by accentuating things.

Personal inarticulate scribblings

By Neslihan
I feel like all I wanna do is nag about how sick I feel and cough and sneeze inbetween. Accopmpanied by accessories such as hankerchiefs and a candybar. And all I actually think of is how much this all is stopping me from doing things I had planned to do. I feel down and wanna shout how miserbale I feel. So everybody will know and keep that in account when I'm being an unbearable toddler. This also teaches me to listen more to my body, not to overrush things. Cuz lately I've been feeling hunted, as if I'm out of time. I'm juggling school life, love life and friends all at once and I'm dropping at least one everytime I try to juggle three of them. And it feels aweful and incomplete and a little voice keeps on telling me I can't have it all at once but I'm an overachiever so I try to combine them anyway and at the end I'm left alone and forget to be on my own sometimes. This confuses me and loneliness that once felt pleasant, feels awkward and painful because I learned to rely on others, when I once only relied on myself. So the most obvious solution for my so-called problem would be to appreciate again to be on my own. To take myself on dates, to be my own best friend again. Question myself less when I'm doing things for others but to focus more on the things I want for MY OWN. I feel like ambition and love kind of make yourself focus less on your centre because or you're working on something on the long run (ambition) so the result will be there after 4 to 5 years (school) or you're working on your relationship with others (boyfriend/friends) and therefore can't be selfish. At the end I'm living in the future and forget how much fun the present actually is. Imagine when this is all over and all I did was stressing about papers and books and I don't even have a cool story to tell my grandkids? I know it sounds silly but I guess what I'm trying to say is that I feel lived instead of living. I feel like I've turned into a boring 30 y.o. when I promised myself to loosen up a bit more in uni. I think I've got to tell myself that I'm in charge and shouldn't stress about things I can alter cuz life is in our hands and you can throw it away in the trashbin next to your desk or you can take it in both your hands, fumble it up, juggle it and drop it to pick it right up again. I feel an uncontrolable desire to embrace failures, yet at the same time I'd like to succeed. And I think because I always was so ambitious and zealous I never quite learned to cope with failures and I'm really aware of that now. Cuz I think the power of actually succeeding lies in your ability to deal with mistakes and failures and incorporate these things in a personal learning process, which is hard to see at the moments you're failing cuz the purpose of your failures (teaching you something) comes after a time. And sometimes it never comes, sometimes it just says you're plain stupid and you have to move on.

This moodboard tells exactly how I feel: physically vulnerable, yet mentally fierce, sophisticated, yet bold, elegant, yet unsubtle, traditional, yet radically rebellious, sexy, yet repellent, arrogant, yet insecure, soft, yet shocking, passive, yet aggressive, quiet, yet powerful.

1) Ola Rudnicka photographed by Willy Vanderperre for AnOther S/S 2014
2) Backstage at Meadham Kirchhoff F/W 2014
3) Flickr/Woefromwit
4) Source unknown
5) 'Oedipus Rex' by Pier Paolo Pasolini, 1967
6) Source unknown
7) Source unknown
8) Photograph by Dario Catellani

Talking business

I love dualities, what can I say. I just love how 'un-black -and white' things are. At first you're like it's this but when you take a closer look at things you can be amazed by the nuances lurking behind fabrics, styles and colours. Women for decades have tried to dress in a way they could be taken seriously by their male colleagues. Professional YSL deux-piéces, black tight knee-length Dior pencil skirts, boring tweed Chanel blazers but I think it's time to turn the tables. Just because you're 'accidentally' a woman doesn't mean you should hide your femininity and playfulness. It's time to re-claim your sensuality and femininity without having to give in on looking professionally. Whenever I watch dull restyling programs, those Trinnies and Susannahs are always like "DoNT W3aR C011ouRS, U WNT PEEpL To T4K3 u SER1OuSlY" and all my neckhairs rise. What is wrong with colours and following your own style? What is wrong with unconventional materials at the office? ABSOLUTELY NOTHING. And that's what (from left to right) Christopher Kane, Prabal Gurung, Versace and Mary Katrantzou are showing us. They're showing us that you can show some skin and still be the fucking boss. They make us aware of the fact that metalics are the new black. And that lilac leather split skirts are MADE to wear at the office, hence worn with a nice shirt. You don't wanna go trash queen on this one. And prints, my friend, are made to bedazzle your colleagues with its crowdedness.

To end this rather long blogpost.