Anarchy of Roses: Disastrous comeback and its disastrous consequences

I warn you for the amount of 'drama' that is on its way. Let's start with dissecting this title for instance. I have been off the blogosphere for quite some time right now. And I had my reasons. There were moments during which I just had a writer's block and there were also moments during which I had tons and tons of inspiration but I just didn't know how to write it down. And just when I had lots of ideas and topics to write about my computer crashed. And since I'm a little superstitious I thought this was a sign from above. The fashion gods just don't want me to write about 'la mode'. Now, I'm thinking: screw you! I'll write whenerver I want and what I want to write about! So here I am, making a 'comeback'. What a dreadful word. It just makes me nautious. I also have some surprises for you. I'm not going to reveal what these surprises are, you just have to follow this beacon of -let's hope- inspiration. Okey, I'll give you a hint: it involves this 'fashion friend' of mine. Curious? Stay tuned.

L'officiel Paris February 2012- Editorial/ Review
I couldn't help but post these pictures of this month's L'officiel Paris. It was a very special edition indeed. You'd almost think that it was L'officiel Afrique. What an amazing concept. On the cover Afro-American delight, Chanel Iman, starring in a fashion shoot with two other black beauties. The three models were posing in the prettiest outfits (spring/summer 2012) of huge brands like Dries van Noten, Prada and Chanel. There was also another fantastic photoshoot called 'Belleville-Bamako'. The model, Egle (never heard of her before), was white and that created an amazing contrast between the set, the colourful prints and the make-up, which was kept simple: red lips and a great skin. Tulbands, shades of brown and orange and African prints made this photoshoot super powerful. There was also a lot of hotness and sensuality in this edition and that was because of the 'Riviera Revival' photoshoot, which remembered the glorious times of the riviera during the 50's. That was a bit about this month's L'officiel Paris, if you still do not own this great piece of art: get your fat ass to your newsagent and buy it!
The cover